Dates: April 11 – 13, 2025
Public Hours: April 11, 11am-5pm
April 12, 11am-6pm
April 13, 11am-5pm
Location: Grand Quay, Port of Montreal, 200 de la Commune W. St, Booth #135
The Stephen Bulger Gallery is pleased to present Nocturnal Botanical, a solo booth of work by Sara Angelucci at Plural Contemporary Art Fair 2025.
Sara Angelucci began creating botanical images in 2018 working with a scanner, in situ at night. The series began accidentally, as she retreated to the solace of her small city garden to process the deep grief of losing her sister. Working in solitude, she began to notice the smallest things—the obedient plant’s movable petals, the wild bellflower, and a single columbine growing beneath the peony bush. Reveling in this micro-world, it occurred to her that even grief offered gifts. Reading about the decline, and imminent extinction of species across the planet, her need to mourn expanded beyond her personal circle. During the pandemic Angelucci began to work in fields and forests near her cottage in the Pretty River Valley, Ontario, immersing herself in the natural world. She continues this endeavour expanding her botanical explorations to ponds, and river shores and exploring plant life in the changing seasons.
Public Hours: April 11, 11am-5pm
April 12, 11am-6pm
April 13, 11am-5pm
Location: Grand Quay, Port of Montreal, 200 de la Commune W. St, Booth #135
The Stephen Bulger Gallery is pleased to present Nocturnal Botanical, a solo booth of work by Sara Angelucci at Plural Contemporary Art Fair 2025.
Sara Angelucci began creating botanical images in 2018 working with a scanner, in situ at night. The series began accidentally, as she retreated to the solace of her small city garden to process the deep grief of losing her sister. Working in solitude, she began to notice the smallest things—the obedient plant’s movable petals, the wild bellflower, and a single columbine growing beneath the peony bush. Reveling in this micro-world, it occurred to her that even grief offered gifts. Reading about the decline, and imminent extinction of species across the planet, her need to mourn expanded beyond her personal circle. During the pandemic Angelucci began to work in fields and forests near her cottage in the Pretty River Valley, Ontario, immersing herself in the natural world. She continues this endeavour expanding her botanical explorations to ponds, and river shores and exploring plant life in the changing seasons.
